There are tons of budget microphones out there. If you’re just getting started, there’s no better way to enhance your sound quality than with a good quality budget microphone. If you’re a nonprofit on a budget, these microphones will help you maximize your podcasts potential while staying within your budget lines. Here’s my top recommendation for a budget microphone, and here’s as a bonus tip – if you have Blue Yeti, do yourself a favor and throw it in the trash.

Dynamic Microphones

Samson Q2U – In my opinion there’s not a better budget microphone on the market than this humble dynamic mic from Samson. USB and XLR inputs for maximum flexibility. On-board headphone jack for zero-latency monitoring. Even a volume adjuster at the base for your headphones. It sounds fantastic, and it’s only $70. I use this microphone myself, and I recommend it to all of my clients. Click here to buy.

Condenser Microphones

Røde NT-USB Mini – Great for solo recordings, or multiple people “campfire” style. USB connection plugs right into any tablet or computer. Handy front-facing indicator lights, and a dial to adjust your headphone volume. Comes with a sturdy base, and attaches to most microphone stands. One is sitting on my desk right now. It’s my everyday mic for client meetings or Zoom calls with friends. Click here to buy.

You might just be starting out, or getting ready to level up your game, there’s a point where budget microphones just don’t cut it anymore. If that’s you, and you’re ready to spend about $200–$400 on a new microphone, check out these two great options.

Shure MV7 – This is the dynamic microphone that lives at my desk, permanently. It’s a top rated mic for podcasters, and it’s what I turn to for a quick recording session. Choose XLR only inputs or XLR & USB inputs at purchase. Microphone has an all metal body, which reduces noise. Worth every penny. Click here to buy.

Neuman U87 – If you’re investing serious money in a studio for your home or office, you’re probably interested in a serious microphone. One that costs serious money. There are, of course, lots of options. Here’s one that folks rave about. I’ll be honest, I don’t own one, but if you’re ready to record your new album, or want a seriously professional sound, check this condenser microphone out. Just make sure you’re using it in the right environment – a recording studio. Otherwise, do yourself a favor and spend less money. Click here to buy.

Focusrite Scarlett 2i2 4th Generation – I’ve long been a fan of the Scarlett series of audio interfaces. This version, the 2i2 4th gen, is the best of them all for podcast setups. Power two microphones, dynamic or condenser, along with dual monitors and a separate zero-latency headphone monitor. XLR inputs on the back help with cable management, and the USB port plugs right into your computer, tablet, or phone. Plus, new features like automatic gain and safe mode keep your recordings sounding crisp even if your mic technique is rusty. Click here to buy.

Zoom H6 Recorder – This 6 track recorder is a gold standard in the audio industry. Attach a variety of microphones to the top array, while four inputs on the side handle XLR inputs. There’s even a USB port for a 7th microphone, external power, or your computer. The on board display and processing helps maximize your field recordings, or let this be the core of your studio set-up. Click here to buy.

Cable Matters XLR Cables – You can try any cable brand you want, but I’m a big fan of Cable Matters for basically any cable.

Anker USB-C Braided Cable – If I’m going to break the rule I just typed above, it’s going to be for a great power cable. Your cables might be handling more than just power, though, they might be carrying your audio signal as well. Trust that signal to a high quality braided cable, one that’s easy to coil and can bend a million times before it break. Click here to buy.

Elgato Wave Arm – An articulating arm is your best friend if you’re recording regularly. My Shure Mv7 sits on mine, always hooked up to my Scarlett Solo, ready to record at a moments notice. And when I’m done, I just push it out of the way and go back to work. The magic of the articulating arm. Check this one out, it’s solid metal, nice and sturdy, and won’t flop around on you in the middle of a recording session. Click here to buy.

Ekkogo Sound Deadening Panels – There are tons of sturdy, sound deadening panels on the market today. They basically all work the same way, using super dense foam board to deaden the sounds reflecting around your room. I happen to like the color, size, and shape options available from Ekkogo. They even offer different thicknesses for different room treatment needs. Click here to buy.

Acoustimac Sound Absorbing Panels – When I built my home studio, I opened everything up and put $2,500 worth of Rockwool insulation in the walls and ceiling. If you’re not remodeling anytime soon you can achieve similar resultswith Acoustimac Sound Absorbing Panels. They’re basically a wood frame with nice fabric (color options here too!) that all covers a Rockwool acoustic board–a denser and thinner version of what’s in my basement walls. They will make a huge difference, not just for you and your recording, but for everyone else in the house who has to listen to you. Click here to buy.